Untitled deck Drafting

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1 ByTess Norridge OnMarch 4 Colourway 2

ByTess Norridge OnMarch 4 Colourway 3

ByTess Norridge OnMarch 4 Colourway 4 Where this
starts To make the room agree on one thing before any glass is cut, this page sets the frame: who the panel is for, where it will hang and what the light does to it through a day.

Keep it to the plain facts. The mood work comes next, and it lands better once the constraints are already on the table for everyone. 5

Board, second pass Swatch runs pulled from the cullet bins — the four we keep are marked. Everything else goes back for the next melt. 6

Structure-wise, there are two ways in.1 — Start flat, one panel, one palette, and let the leadwork carry the rhythm.
2 — Build depth first, then strip back until only the joins that earn their place remain. 7 1 — Type set 8

BATCH   28.260  KG
          62.310  LB
          33.2    CU.M. 9 2 — Motion

ByTess Norridge

OnMarch 4

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Layouts M Type set Fill Backdrop

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