Draft a two-minute
trailer from notes
Paste a page of notes, pick a tone and drop in a
portrait — the board returns a 120-second cut
with beats, motion and key art you can hand to
an editor without leaving the canvas.
Drop in a logline, pick or add a tone,
then swap the lead portrait for your own.
“DEEP HARBOR”
By 2103 the northern shelf has drowned every port from Aldermoor to Tern Bay. Inside a derelict light station, a former sonar technician named Kestrel Vane picks up a pulse that repeats at 04:41 each morning. The voice on it claims to be broadcasting from a rescue fleet retired eleven winters ago — and it is counting down. As Kestrel maps the pattern she finds
Assemble the trailer
Check that every source is wired into the writer, then update the details it needs.
Press Run to start the chain
WriterSHOT 1 — 0:00–2:10 — CUT
Camera: Low drifting push through grey sea fog over the flooded terraces of Tern Bay at dusk, signal lamps stuttering behind heavy rain.
Action: Sunken causeways vanish under black water while survey drones drift between rooftops, throwing pale amber light across the swell.
Audio: Low brass swell layered with distant hull groans and clipped, half-lost radio chatter.
SHOT 2 — 2:10–4:40 — CUT
Camera: Handheld follow through a flooded pump house lit by one rotating amber beacon.
Action: A woman in her forties with cropped silver hair and a salt-stained oilskin coat moves fast along a gantry, one hand holding an old sonar handset close to her ear.
SHOT 1 — 0:00–2:10 — CUT Camera: Low drifting push through grey sea fog over the flooded terraces of Tern Bay at dusk, signal lamps stutter…
Cinematic key art for “DEEP HARBOR”: a woman in a salt-stained oilskin coat on a flooded gantry, one amber beacon behind her, sea fog, long lens,
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Final trailer
Pull the cut you like best from the options above onto the board.
Final trailer