We are hiring a localisation engineer in Rotterdam. If you like untangling language pipelines and want your work heard in ninety-one markets, come build the next release with us.
els.link/roles-autumnNeed visuals for a story? Every cleared photograph, logo file and cover still sits in one folder, ready to download.
Open the library
We are hiring a localisation engineer in Rotterdam. If you like untangling language pipelines and want your work heard in ninety-one markets, come build the next release with us.
els.link/roles-autumnBelonging starts at the desk. Our creative director, Ines Halvard, on why the studio funds artist-led collectives, and what actually changed in the catalogue after the first year of it.
els.link/first-yearOpen call for producers: rebuild a scene using nothing but tone and texture. Send us a ninety-second cue before 30 October and share €36,000 of commissioned work.
els.link/room-toneOut today: our third annual study of how independent makers are paid. Two thousand four hundred and eleven respondents told us where the money actually lands, which formats are growing, and how much of a working week now goes to editing rather than shooting. Licensing income rose for 61.4 per cent of them, and roughly a third now earn more from short-form work than from client commissions. The full read runs about twenty minutes.
els.link/study-threeFeed by Postloom
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