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Nadia Fourcade hands the foundry back to her mother
Words by Sam Iredale
Six rooms of wet clay, and not one of them is drying
Words by Tomasz Wrenn
The 340-year-old blue that four studios still grind by hand
Words by Aoife Delaney
Every biennale is one small room short
Words by Rufus Nkemdi
Twelve minutes inside the Ostend kiln, unedited
Film by Marta Reig
Corren Ashby's salt casts refuse to sit still
Words by Jonah Beck
One letter a week, no press releases
Studio visits, openings worth the train fare, and the one show we argued about on Thursday. Read by 18,600 people who mostly work in the field.